To do that we need an EDL of the audio tracks on your timeline that has the production sound (no Music or FX that you may add from libraries). If there are missing microphones we need to put them back to the timeline. For that reason is better to separate audio clips from AAF file rather than an Embedded file.Ĭonforming audio from production sound if necessary However, embedded exports will lose clip metadata that is necessary for dialogue editing. Render: Select “Copy Complete Audio Files”Ĭonsolidating your media into an embedded AAF assures that there are no re-linking issues when importing into Pro Tools.Uncheck the following (Render audio clip effects, Include clip copies without effects).On the AAF export settings window use the following settings: For that reason, it is better to separate audio clips from AAF file rather than an Embedded file. However, embedded exports will lose some clip metadata that is necessary for dialogue editing. Why Separate Audio Files Instead of Embedded FilesĬonsolidating your media into an embedded AAF assures that there are no re-linking issues when importing into Pro Tools. We recommend AAF instead of OMF as the OMF is an old protocol and does not carry all the necessary metadata and in some cases may cause issues.Ĭreate an AAF with Broadcast Wave separate audio files, 48khz sample rate, 24-bit depth, no rendered audio effects.
ADOBE PREMIERE PRO EXPORT IN COMPRESSED VIDEO MOVIE
Submit a 1920×1080 QuickTime Movie (.mov) or MXF file using DNxHD 36 or ProRes 422 Proxy codec.That you can take from the video track on your timeline. Burn-in clip timecode on the upper right side of the frame. That you can take from the video track on your timeline.Ĥ. Burn-in scene and take number on the upper left side of the frame. Ideally not cover movements in the shot to sync foley.ģ. Supply transparent burn-in timeline’s timecode on the lower left or right side of the frame. Make sure you have a universal leader before the FFOP (first frame of the picture) with a 2-pop.Ģ. So the best thing to do is to match frame the merged clips from the source material.ĭo not export mp4, h264, AVC files, or any other video compression codecs because they are using a lot of CPU, they are not accurate and in most cases causing problems on playback.ġ. In that case, is not possible to conform audio from original recordings, replace a clip from another take or find a missing microphone because there is no information at all to audio clips, only video clip name which means noting to audio post.įrom our experience to the 99,9% of the projects we need to do at least one of these things. If you use the “merge clip” method to sync production sound to the picture that means you removed metadata and original clip name from audio files. We recommend organizing audio tracks on your timeline by having separate tracks for production sound, voice-over, sound effects, and music. Provide all recorded materials from the production sound mixer.
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